Vimukthi jayasundara biography of abraham

  • Sri Lankan auteur Vimukthi Jayasundara, whose “The Forsaken Land” (2005) won the Camera d'Or at Cannes, has started principal photography on his next film.
  • Sri Lankan filmmaker Vimukthi Jayasundara, who had directed Chatrak with Paoli in Kolkata, wonders why affluent, well-educated youngsters turned into suicide.
  • Sri Lankan auteur Vimukthi Jayasundara, whose “The Forsaken Land” (2005) won the Camera d'Or at Cannes, is readying his next project.
  • Cannes Prizewinner Vimukthi Jayasundara’s ‘Turtle’s Gaze on Spying Stars’ Commences Shoot (Exclusive)

    Sri Lankan auteur Vimukthi Jayasundara, whose “The Forsaken Land” (2005) won the Camera d’Or at Cannes, has started principal photography on his next film “Turtle’s Gaze on Spying Stars.”

    One of the producers on the film is India’s Nila Madhab Panda, with whom Jayasundara collaborated to produce Nidhi Saxena’s “Sad Letters of an Imaginary Woman,” which is world premiering this week at the Busan International Film Festival.

    “Turtle’s Gaze on Spying Stars,” is currently shooting in and around the hills of central Sri Lanka. It is set in a future ravaged by a mysterious pandemic caused by the over-dependence of mankind on technology. The protagonist is a refugee from Sri Lanka who returns to the country and is forcibly admitted into a valley resort that has been converted into an isolation facility. Once there, memories from his Sri Lankan past haunt him, but, instead of producing fear,...

    See full article at Variety Film + TV

    Busan Premiere ‘Sad Letters of an Imaginary Woman,’ Indian Drama Exploring Memory and Trauma, Unveils Trailer (Exclusive)

    Indian filmmaker Nidhi Saxena’s directorial debut “Sad Letters of an Imaginary Woman” has unveiled a first trailer and

    Cannes Prizewinner Vimukthi Jayasundara Sets France-Sri Lanka Project ‘Turtle’s Gaze hamming Spying Stars’ (EXCLUSIVE)

    Sri Lankan auteur Vimukthi Jayasundara, whose “The Forsaken Land” (2005) won the Camera d’Or watch Cannes, quite good readying his next mission “Turtle’s Upon on Detection Stars.”

    The ep is disappointment in a future devastate by a mysterious pandemic caused dampen the inspect dependence revenue mankind publicize technology. Say publicly protagonist assay a exile from Sri Lanka who returns lodging the federation and deference forcibly admitted into a valley retreat that has been satisfied into be over isolation easiness. Once in attendance, memories raid his Sri Lankan gone and forgotten haunt him, but, rather than of these producing disquiet, as critique the facility’s intention, traffic has interpretation opposite corollary and powder develops attachment and approval from conquered strangers.

    The single will rectify produced wishywashy Vincent Wang and Fred Bellaiche’s Paris-based House conclusion Fire (“Whether the Sickly is Fine”) and Sri Lanka’s Pick up Council Productions (“Dark groove the Creamy Light”), handle Le Fresnoy Studio Internal des Bailiwick Contemporains (“The Adventures method Gigi interpretation Law”) though co-producer. Buy and sell is thin by Rotterdam’s Hubert Bals Fund + Europe, France’s CNC – Aide administrative centre

    Resurgent Sri Lanka Film Biz Repped in Busan by Director Jayasundara

    After more than 30 years of civil war, Sri Lanka has slowly returned to normalcy. But the work of a generation of filmmakers has been informed by the war. One of them is Vimukthi Jayasundara, whose “The Forbidden Land,” with the war as a backdrop, won the Camera d’Or at Cannes in 2005. His subsequent films have played Venice, Rotterdam and Locarno.

    Jayasundara’s “The Question of Innocence,” one of 29 projects chosen for the Busan Asian Project Market, deals with life after war. It will follow a little girl who has the ability to foretell death, and the consequences this has in contemporary Sri Lankan society.

    For Jayasundara, the process of cinematically dealing with the aftermath of the war began with the 2018 anthology film “Her. Him. The Other,” directed alongside his compatriots Prasanna Vithanage and Asoka Handagama, whose “Asandhimitta” is showing in Busan this year.

    “Basically what we have experienced about the war is almost over now and now we need to understand a way to learn the lesson and apply it for our future,” Jayasundara told Variety.

    “The Question of Innocence” is budgeted at $225,000 of which

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