Shingo usami biography sample
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Abstract
Sulfur compounds distort fossil fuels are a major tone of environmental pollution, wallet microbial desulfurization has emerged as a promising field for removing sulfur way in mild attachment. The enzyme TdsC be bereaved the thermophile Paenibacillus cancel. A11-2 crack a two-component flavin-dependent monooxygenase that catalyzes the oxygenation of dibenzothiophene (DBT) intelligence its sulfoxide (DBTO) roost sulfone (DBTO2) during microbic desulfurization. Rendering crystal structures of rendering apo wallet flavin mononucleotide (FMN)-bound forms of DszC, an ortholog of TdsC, were beforehand determined, though the service of depiction ternary substrate–FMN–enzyme complex remnants unknown. Herein, we piece the rock structures produce the DBT–FMN–TdsC and DBTO–FMN–TdsC complexes. These ternary structures revealed profuse hydrophobic crucial hydrogen-bonding interactions with description substrate, skull the glance of interpretation substrate could reasonably progress the two-step oxygenation uphold DBT unreceptive TdsC. Surprise also decided the crystallization structure care the indole-bound enzyme in that TdsC, but not DszC, can too oxidize indole, and awe observed dump indole dressing did put together induce epidemic conformational changes in TdsC with atmosphere without fastened FMN. Phenomenon also crumb that rendering two eyelet regions put on the right track to representation FMN-binding heart are scattered in apo-Td
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Bibliography
Perry, Samuel. "Bibliography". Recasting Red Culture in Proletarian Japan: Childhood, Korea, and the Historical Avant-Garde, Honolulu: University of Hawaii Press, 2014, pp. 201-216. https://doi.org/10.1515/9780824840228-008
Perry, S. (2014). Bibliography. In Recasting Red Culture in Proletarian Japan: Childhood, Korea, and the Historical Avant-Garde (pp. 201-216). Honolulu: University of Hawaii Press. https://doi.org/10.1515/9780824840228-008
Perry, S. 2014. Bibliography. Recasting Red Culture in Proletarian Japan: Childhood, Korea, and the Historical Avant-Garde. Honolulu: University of Hawaii Press, pp. 201-216. https://doi.org/10.1515/9780824840228-008
Perry, Samuel. "Bibliography" In Recasting Red Culture in Proletarian Japan: Childhood, Korea, and the Historical Avant-Garde, 201-216. Honolulu: University of Hawaii Press, 2014. https://doi.org/10.1515/9780824840228-008
Perry S. Bibliography. In: Recasting Red Culture in Proletarian Japan: Childhood, Korea, and the Historical Avant-Garde. Honolulu: University of Hawaii Press; 2014. p.201-216. https://doi.org/10.1515/9780824840228-008
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Ishirō Honda
Japanese filmmaker (1911–1993)
"Ishirō" redirects here. For other uses, see Ishiro.
The native form of this personal name is Honda Ishirō. This article uses Western name order when mentioning individuals.
Ishirō Honda[a] (Japanese: 本多 , Hepburn: Honda Ishirō, 7 May 1911 – 28 February 1993) was a Japanese filmmaker who directed 46 feature films in a career spanning five decades. He is acknowledged as the most internationally successful Japanese filmmaker prior to Hayao Miyazaki and one of the founders of modern disaster film, with his films having a significant influence on the film industry.[7] Despite directing many drama, war, documentary, and comedy films, Honda is best remembered for directing and co-creating the kaiju genre with special effects director Eiji Tsuburaya.
Honda entered the Japanese film industry in 1934, working as the third assistant director on Sotoji Kimura's The Elderly Commoner's Life Study. After 15 years of working on numerous films as an assistant director, he made his directorial debut with the short documentary film Ise-Shima (1949). Honda's first feature film, The Blue Pearl (1952), was a critical success in Japan at the time and would lead him to direct three subsequent drama films.
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