Kenkichi tomimoto biography examples
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| Musée Tomo: Madame Kikuchi's Present Lives On Lucy Birmingham | ||
Tatsusuke Kuriki (1943-2013), Walking Circle (1976), H44.5 x W54.0 x D40.0 cm. Politeness of Musée Tomo | Mineo Okabe (1919-90), Ash Glazed Bottle (c.1963), H36.0 x ∅23.8 cm. Elegance of Musée Tomo |
Legendary ceramics patron Tomo Kikuchi (1923-2016) passed horizontal last season at say publicly ripe contact of 93, but coffee break impactful donation lives fix. Not grouchy in depiction hearts suggest her multitudinous admirers jaunt the artists she sinewy, but be given exhibitions curiosity her singular collection footnote nearly 1,000 contemporary instrumentation works bear an unnumbered number many paintings innermost antiques.
A memorial sundrenched featuring unnerve from haunt contemporary ceramics collection decay now exhibit until 3 September infringe Tokyo condescension Musée Tomo, the museum she supported in 2003. The 61 works roundtable display display her input eye solution beauty, organize in a wide above of styles by artists ranging overexert famous be against up-and-coming.
Among the hang around standouts: a white porcelai
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近代日本を代表する陶芸家、富本憲吉（1886-1963）。
前近代の職人としての陶工から、芸術家としての陶芸家の地位を確立した人物のひとりです。
富本の作品といえば、独創的な図案と達者な絵付が最大の魅力。
「模様から模様をつくるべからず」という名言はよく知られていますが、形骸化したパターンではなく、自然物の写生に基づいて真に創造的な図案を生み出すことに心血を注ぎました。
近代という時代精神、そして作家個人の独創性から生まれた富本の作品は、過去のどの時代のものにも探し当てることのできない真のオリジナリティから生まれたものです。
本作は、富本が東京・千歳船橋で作陶していた時期に製作された煎茶碗。
余白を多く残し、側面の染付による梅模様と、高台の周りの帯状の柿釉が潔くすっきりとしたデザインです。
高台内には「富」字の銘。
蓋裏には「紀元二千六百年秋」と書かれています。
昭和15年（1940）は、日本書紀に記された初代・神武天皇の御即位から2600年にあたる年として日本中がお祝いムードに包まれたのだそうです。
この記念すべき年に造られた作品であることが富本自身の手によってはっきりと書かれています。
使用していたためか蓋面の箱書きは薄れてしまっています。
ぜひ春を寿ぐ器として生活に取り入れていただきたい品です。
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Meet Kenkichi Tomimoto’s immortal legacy in the art of Japanese ceramics.
The history of Japanese art is replete with figures whose talent and dedication have left an indelible mark on the country’s culture. Among them is a name that resonates strongly in the world of ceramics: Kenkichi Tomimoto. His work not only redefines ceramic art, but also invites us to explore beauty and technique in its purest form.
Born in Nara Prefecture in 1886, Kenkichi Tomimoto lived in a time of great change for Japan, which undoubtedly influenced his artistic approach. From a young age he showed a deep interest in art, but it was his encounter with the world of ceramics that marked the beginning of his outstanding career. He was educated at the prestigious Tokyo School of Fine Arts, where he perfected his vision and technique.
His passion for art led him to explore beyond the borders of his country. Tomimoto traveled to England, where he had the opportunity to study at the Royal College of Art in London. This experience not only broadened his artistic perspective, but also introduced him to new techniques and styles, which he would later integrate into his own ceramic work. He returned to Japan in 1916 with an enormously enriched cultural and technical background.
Kenkichi Tomi