Etienne louis boullee biography channel
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Temples of Darkness: on description Neoclassicism retard �?tienne-Louis Boullée
Categories: Deeds and artists / Disclaimer
Étienne-Louis Boullée was a visionary designer who fuse the Majority of Nirvana introduced Consigned to the grave Architecture, rendering architectural variety that sought after to alter monumental business.
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The radically impractical 18th-century architect whose ideas on beauty endure
Today, the ideas of the 18th-century French architect Étienne-Louis Boullée influence building designs around the world. However, during his life, Boullée was more interested in the poetic potential of architecture than concocting practical plans, and built very few structures that remain standing today. Instead, his lasting impact derives from his bold proposals for buildings that reflected the beauty he found in geometric simplicity and symmetry, presented on exceptionally grand scales. Working through drawings of some of Boullée’s proposed and never-realised buildings – from a stadium with a capacity of 300,000, to a real-life Tower of Babel and a fantastical monument to Isaac Newton – this video essay from the YouTube channel Kings and Things explores how he borrowed from and expanded upon classical architecture for inspiration, as well as how his ideas had a resurgence upon the publication of his writings in 1953, some 250 years after his death.
Video by Kings and Things
14 February 2023
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The Futurist Architectural Designs Created by Étienne-Louis Boullée in the 18th Century
If a painter is ahead of his time, his work won’t sell particularly well while he’s alive. If an architect is ahead of his time, his work probably won’t exist at all — not in built form, at least. Such was the case with Étienne-Louis Boullée, who constructed few projects in the eighteenth century in which he lived, almost none of which remain standing today. The best Boullée devotees can do for a site of pilgrimage is the Hôtel Alexandre in Paris’ eighth arrondissement, which, though handsome enough, doesn’t quite offer a sense of why he would have devotees in the first place. To understand that, one must look to Boullée’s unbuilt works, the most notable of which are introduced in the video from Kings and Things above.
“Paper architect” identifies a member of the profession who may design structures prolifically but seldom, if ever, builds them. It is not a desirable label, especially in its implication of willful impracticality (even by architectural standards). But as practiced by Boullée, paper architecture became an art form unto itself: he left behind not just an extensive essay on his art, but voluminous drawings t