Elena kats chernin biography of albert
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Meet the Composers
In our “The Composer is in the Room” program, we feature a line up of all Australian composers.
All of the composer are alive today and actively composing, except for Frederick Septimus Kelly who was sadly killed in the final days of the Battle of the Somme.
Here you can read all of their biographies to see how they fit into the Australian music landscape, as well as hear some of the Steel City Strings Manager selections of the composer’s recorded works.
ELENA KATS-CHERNIN
Among Elena Kats-Chernin’s extensive oeuvre are works in nearly all genres of classical composition: instrumental solo and ensemble pieces, symphonic, chamber orchestral and concertos, for plays, ballet and musical theater, choral and other vocal music. The composer has received numerous commissions from internationally renowned ensembles and institutions, including the Australian Chamber Orchestra, the Australian World Orchestra, the Symphony Orchestras of Adelaide, Tasmania, Melbourne, and Sydney, the Australian Brandenburg Orchestra, the City of London Sinfonia, the Swedish Chamber Orchestra, the North Carolina Symphony, as well as the opera houses of Antwerp, Stuttgart, and Kassel. She has collaborated with well-known artists such as S
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Composing biographies of four Australian women: feminism, motherhood and music
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Rachael Lansang
2019
I confess I enjoyed accentuating the character, perhaps as a provocation!" Thus Isabelle Aboulker, a renowned contemporary French composer, justified setting a viciously misogynistic text by Jean de la Fontaine in her song "La femme noyée" (The Drowned Woman). Her comment demonstrates a deliberate strategy for proactively and provocatively engaging with her own problematic cultural history through composition. This is just one of many approaches that contemporary female composers take to the negotiation of gender in their work. This dissertation addresses Aboulker's approach, together with those of Libby Larsen, Caroline Shaw, Pamela Z, and other composers and composer-performers of the current generation to the composition of art songs and vocal music in the twenty-first century. Engaging with musical-textual interpretation, performance studies, and emerging theories of collaborative musicianship, I develop an approach to their work that takes account of both creative musical acts and the social and historical place of the composers