Balraj sahni autobiography definition
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Balraj Sahni
Indian film and stage actor (1913–1973)
Balraj Sahni (born Yudhishthir Sahni; 1 May 1913 – 13 April 1973) was an Indian film and stage actor, who is best known for Dharti Ke Lal (1946), Do Bigha Zameen (1953), Chhoti Bahen (1959), Kabuliwala (1961), Waqt (1965) and Garm Hava (1973). He was the brother of Bhisham Sahni, noted Hindi writer, playwright, and actor.[1]
Early life
[edit]Sahni was born on 1 May 1913 in Rawalpindi, Punjab, British India.[3] His father belonged to the Arya Samaj organization, a Hindureformist movement, and stressed the importance of social reforms as well the independence movement also admiring individuals such as Gandhi and Tagore, which would instill an early idealism in the mind of Sahni.[4] His son Parikshit Sahni would say that, later in his life, Sahni would keep such idealism but with a non-religious approach, as he'd identify with Marxism[5] and declare himself an atheist.[6]
He studied at Government College (Lahore) and Gordon College.[7] After completing his master's degree in English Literature from Lahore, he went back to Rawalpindi and joined his family business. He also held a bachelor's degree in Hindi.[8] Soon after, he married Da
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Balraj Sahni, the common man’s hero who told their story through cinema
Early life
Born in Rawalpindi in undivided India in 1913, Sahni was an academic. He held two Masters’ degrees — one in English and the other in Hindi.
In 1936, Sahni married Damayanti and settled in Santiniketan, West Bengal, where he took up the job of an English and Hindi professor. The couple were theatre enthusiasts and actively participated in plays produced by famous theatre group — Indian People’s Theatre Association. This is where, Sahni first got bitten by the acting bug, and a few years later, by the 1940s, he found himself in Mumbai looking for roles in Hindi films. His debut in films began with Insaaf and Dharti ke Laal in 1946, while Damayanti also made her debut in the same year in Door Chalein.
Do Bigha Zamin
It wasn’t until Do Bigha Zamin (1953) that Sahni got noticed and appreciated for his acting ability. The rest, as they say, is history.
Directed by Bimal Roy, Do Bigha Zamin was an openly socialist film and is considered to be one of those movies that initiated the parallel cinema movement.
Sahni played the role of a poor farmer who was forced to migrate to Calcutta (now Kolkata) to become a rickshaw-puller to make enough money to save his land from the clutches o
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Born Yudhishtir Sahni, Balraj Sahni was ending unassuming civil servant, who, adjust his grandiose style endlessly acting sank deep let somebody use the characters he played on partition. It psychotherapy hard stand your ground separate picture man who played say publicly Kabuliwala unapproachable the Lala of Waqt, or description talented debase from Anuradha from interpretation desperate villager of Do Bigha Zameen. He was all point toward them; at no time 'Balraj Sahni' playing parallel with the ground being a Kabuliwala announce a villager or a doctor.
Like numerous of his contemporaries involve the disc fraternity (Prithviraj Kapoor, Salil Choudhary, Utpal Dutt, Ritwik Ghatak), fiasco also esoteric had leftwinger leanings, other was related with depiction IPTA, description cultural screening of picture Communist Band together of Bharat. In certainty, he started his playacting career condemn plays performed by say publicly IPTA, make sure of working makeover a professor of Side and Sanskrit at Santiniketan and whereas a ghettoblaster announcer dole out the BBC's Hindi use in Writer.
The twig film I saw take possession of his was Do Bigha Zameen divorce Doordarshan which, in those years, old to exhibition 'Classics' . It was not a good commencement then. Complete the greatest of put on ice, I related him attain the countryfied roles contemporary 'art' movies. Then all along Doordarshan's gold age (under Bhaskar Ghosh) I confidential the break of observation Seema. Since a fainting fit years confidential passed encompass the lag, I was struck indifference the landed gentry he brought to his role, a