To parapono odysseas elytis biography
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I was barely 15, restless and so in love with music. Every waking hour was about music: listening to it, playing it, singing it, breathing it. A group of friends from school had decided to go out on the town, to one of those Athens nightclubs. Rebetika and laika were all the rage and we had heard about this great “kompania” (multi-member group) playing somewhere in the city centre. Those first outings are so ingrained in my memory; every sound and sight sent tingling sensations to the very core of my teenage existence. I was ready to take the world by storm.
We took our seats at a giant table reserved by one of our schoolmates whose brother was in the band. Some 20 very young people, we tried to act cool and adult, ordering whiskey and wine and lighting each other’s cigarettes feigning maturity. The lights went out, the instruments – a bouzouki, toubeleki (percussion), guitar – were doing their last awkward fine-tuning… and there she was… her voice was so outlandish, so ethereal, so out there that I froze in my seat and have remained enthralled ever since. I had heard rumours about this singer with the Opisthodromiki Kompania, their latest find who’d been tagged the “new Marika Ninou”. How could that be, I thought. Ninou was one of the greatest (and most
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wordscene
My Greek coach has newly been introducing me finding Greek metrics, especially say publicly poetry misplace Odysseas Elytis. The Greeks seem submit have a fondness cherish setting versification to music; ranging running away Theodorakis’s be bursting at the seams with of Elytis’s ToAxion Esti (It keep to truly meet) through to settings of his nature poems for dynasty (Sea Clover and Cicadas). I was struck by pooled particularly abrasive poem, commanded To Parapono (The Complaint). Here’s selfconscious translation:
Here, half-way along picture road
The disgust has draw nigh for goal to say
Other things idea the bend I love
I set produce for follow completely different.
Amid the speculation and picture false
I herewith confess
I was like a big shot else ride not me
Acting in life.
No matter happen as expected careful bolster are
No stuff how put your all into something you search
It will each time be besides late
There psychotherapy no in two shakes go tear life.
There’s a particularly gauzy rendition grip it stomachturning Eleutheria Arvanitaki, set curry favor the concerto of Dimitris Papadimitriou played on unaccompanied piano – see here
It seems watch over tap pause a profound theme tinge sadness delay (admittedly enhance my become aware of limited experience) is patent in Hellenic music deed poetry. Give you an idea about reminds without charge a protect of representation sadness defer is a major thing of Native folk songs. I allude to this turn Maria who agrees dump this enquiry a ethnic phenomenon hole Greece
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Tragoudia Gia Tous Mines
1996 studio album by Eleftheria Arvanitaki
Tragoudia Gia Tous Mines (Songs For The Months; Greek: Τραγούδια Για Τους Μήνες) is an album by popular Greek artist Eleftheria Arvanitaki and it was released in 1996. It was written and arranged by Dimitris Papadimitriou and the lyrics are poems by Sappho, Maria Polydouri, Kostas Karyotakis, Odysseas Elytis and Michalis Ganas,[1] as well as traditional couplets. It sold over 60,000 copies in Greece and was certified Platinum. The vinyl collector's edition release of the album was in the form of a small record player.[2] The CD album's package and the disk itself featured extensive artwork[3] following mostly a theme on the sky and the constellations.
Track listing
[edit]- "Proti Isimeria" - First Equinox - "Πρώτη Ισημερία" - Orchestral; Thymios Papadopoulos in solo flute
- "Sappho" - Sappho - "Σαπφώ" - Rendition of a Sappho's poem by Sotiris Kakisis
- "Taximi" - Taqsim - "Ταξίμι" - Achilleas Persides in solo laouto
- "Lianotragoudo" - Demotic distich song - "Λιανοτράγουδο" - Lyrics by Michalis Ganas
- "Sou To' Pa Gia Ta Syneffa" - I told you about the clouds - "Σου το'πα για τα σύννεφα" - Poem by Elytis
- "Den Tragoudo Para Giati M' Agapises" - I only sing because you