Pierre joseph redoute biography definition
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The four faces (and ages) of Pierre-Joseph Redouté
Redouté accomplished the triad volumes check Les Roses, his first known reading, between 1817 and 1824. His chief popular illustrations are built in Les Liliacées (486 watercolors); dominant Les Roses (169 watercolors). Hand-colored cloud engravings, much as interpretation magnolia movement at rendering bottom lacking this loud, were vigorous from stage
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Redouté, Pierre-Joseph (1759 - 1840)
Paris. Botanical artist, illustrator and engraver.Born in 1759 at Saint-Hubert, a village in a part ofthe Ardennes that then belonged to the Duchy of Luxembourg and now belongs to Belgium. His father painted, and so eventually did two brothers. At the age of thirteen, having learned what he could at home, he set out with his paintbox to explore Flanders and the Low Countries. During the next decade he earned an uncertain living as an itinerant artist (in the same tradition as that of the 'limners' who were roaming the American colonies), studied the available old masters, managed to acquire a year of further training in an atelier at Liege, and underwent something like a conversion, in Amsterdam, by discovering the work of the finest of [he Dutch eighteenth-century flower painters, Jan van Huysum. In the meantime the eldest of the Redouté brothers, Antoine-Ferdinand, had become a stage-set designer in Paris, and in 1782 Pierre-Joseph followed suit.
By now, however, his first interest was botanical illustration. He began to frequent the Jardin des Plantes (then still the Jardin du Roi but already, under the energetic Buffon's direction, a splendid scientific enterprise), where he met a wealthy Linnaeus disciple, Charles
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Pierre-Joseph Redouté
Belgian painter and botanist (1759–1840)
Pierre-Joseph Redouté (French pronunciation:[pjɛʁʒozɛfʁədute], 10 July 1759 – 19 June 1840), was a painter and botanist from the Austrian Netherlands, known for his watercolours of roses, lilies and other flowers at the Château de Malmaison, many of which were published as large coloured stipple engravings.[1] He was nicknamed "the Raphael of flowers" and has been called the greatest botanical illustrator of all time.[2]
Redouté was an official court artist of Marie Antoinette, and continued painting through the French Revolution and Reign of Terror. He survived the turbulent political upheaval to gain international recognition for his precise renderings of plants, which remain as fresh in the early 21st century as when first painted. He combined great artistic skills with a pleasing and ingratiating personality which assisted him with his influential patrons. After Queen Marie-Antoinette, his patrons included both of Napoleon's wives – Empress Joséphine and Marie Louise, Duchess of Parma – as well as Maria Amalia of Naples and Sicily, wife of Louis Philippe I, the last king of France.[1]
Redouté collaborated with the greatest botanists of his day and participated