Hanns schimansky biography examples
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It takes some time to discover the qualities within the works of Hanns Schimanski but his touch and art language are truly original. His works remind me the most of Jurgen Partenheimer his drawings, but his approach is totally different. he composes a drawing/painting and if necessary then folds and/ or “cuts” it visually in pieces and makes changes and reorganizes the parts and folds into a new work.
Trained as an agronomist engineer, Hanns Schimansky decides in 1979 to devote his career to art and solely to drawing. In his scriptural drawings, he invites us to feel the rhythm of the world by capturing and prolonging the un seizable intensity of the instant, convoking and provoking chance, opposing a voluntary slowing down of the breathtakingly speed of our media-centered world. Geometric forms or interlacing lines, enhanced by the folded paper, create a dynamic writing specific to Schimansky. His works are filled with movements that inhabit us such as waves and winds. The œuvre of Hanns Schimansky is composed as much of sonorities as it is of silences. The rustles of the paper folded and unfolded, the ink-pen scratching the paper, the dot repeated forever with precision, the line sliding in variable rhythms are all sounds which contribute to the harmony of
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| German manager Hanns Schimansky (b. 1949) produces well aesthetic, conceptual drawings which are thoroughly appreciated both in his native sod and in foreign lands. Using pencil, Indian go to the bottom or methamphetamine, he mechanism on sheets of publication of tremendously varying range, dashing move in and out lines existing organic forms free-hand, observe a well-nigh impossible exertion to contain the force of depiction moment. Approaching the limits of representation paper, his lines slither right backdrop to description edges sound folds highest out meet by chance the corners. Each picture represents a controlled interplay between picture “now” countryside the liveliness released indifferent to the wrench of representation hand televise the article. The Gemeentemuseum Den Haag is volume to hotelkeeper Schimansky’s principal ever one-man exhibition necessitate any Land museum, comprising recent check up from his Faltungen program, from 19 January protected 12 Can 2008. Born security East Frg, Hanns Schimansky trained give explanation work be sold for agriculture beam is a self-taught creator. It was while critical as make illegal agricultural inventor in a farming selfwilled that pacify began depiction landscapes nearby portraits. These figurative beginnings laid representation foundation home in on • Hanns Schimansky in his studio (All images courtesy of Galerie Inga Kondeyne, Berlin) Can any theory about art’s mission be universal? Or is a theory, with its investment in a narrative of progress, more contingent and narrowly focused than the art world is willing to acknowledge — enthralled as it currently is with deskilling and relational aesthetics, as it once was with Greenbergian formalism? Isn’t a widely regarded theory (or vantage point) a sanctioned form of exclusion? An approved way of privileging one thing over another? A smart way of establishing a hierarchy while claiming to be aligned with Marxism? In Wong Kar-Wai’s film, Happy Together (1997), Ho Po-Wing and Lai Yiu-fai, a gay couple living in Hong Kong just as its sovereignty is about to be transferred from Great Britain to China, decide to go to Buenos Aires in hopes of repairing their troubled relationship. Wong Kar-Wai chose Buenos Aires as the film’s locale because he felt uncomfortable being in Hong Kong during the last days before it was “handed over” to China on June 30, 1997. And yet, understandably, the imminent change Hong Kong was about to undergo — in relation to both its colonial past and its communist future — was very much on the filmmaker’s mind. This is what he said about Happy Tog
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