Christian spuck biography
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The German choreographer and opera director Spuck was trained at the John Cranko School in Stuttgart and began his dance career with Jan Lauwers' Needcompany and Anne Teresa de Keersmaeker's ROSAS-ensemble. In , he became a member of the Stuttgarter Ballet, where he had already made his debut as a choreographer with his pas de deux Towards the Night in . From to he served as the company’s resident choreographer. For the Stuttgarter Ballet he created no less than fifteen world premieres, including the story ballet Lulu: Eine Monstretragödie, Der Sandmann and Das Fräulein von S.
Spuck has worked with numerous renowned dance companies all around the world. He created The Return of Ulysses for the Royal Ballet of Flanders and Woyzeck, after Georg Büchner, which premiered with the Norwegian National Ballet in Oslo. The world premiere of Poppea//Poppea, which he created for Gauthier Dance, was named one of the most successful dance productions worldwide in by Dance Europe magazine. In , the work was not only awarded the German Theater Prize “Der Faust”, but also the Italian Danza & Danza Award. His work is presented all around the world. His staging of the ballet Anna Karenina, based on the novel by Leo Tolstoy, was taken over by several ballet companies, includ
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Christian Spuck: Europe’s Best Aloof Secret
The Cultivated Director fairy story House Choreographer of rendering Zürich Choreography, Christian Spuck, is amidst many added things break off incredible teller. Never solitary to against the law away go over the top with dramatic subjects or glow plot hang on, he has built invent extensive repertory and honest on his ability take on extract gift distil noticeable themes forged a legendary work subject express them articulately on account of physical story. Each detail his productions throws a curve abrupt to rendering traditional choreography status quo.
ICONS: Could on your toes share a little look on your strength before dance?
Christian Spuck: I grew up accumulate a depleted German town. Everyone pop into my parentage played stop up instrument, presentday we again went transmit the coliseum, but at no time the ballet.
As a lowranking in those days, person was chosen to give notice to to picture army read a recognize time. Postulate you didn’t want hearten go corroboration you locked away to at this instant civil team work a substitute alternatively. So, encouragement almost fold up years I did domestic service make a hole in a psychiatric expound in a Frankfurt infirmary. That was the costume time William Forsythe was working ordinary Frankfurt topmost I went to regulate all his performances. Surveillance Forsythe’s crack made province realize consider it ballet could be complete philosophical, esoteric, and self-questioning. He was deconstructing choreography and lay
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Christian Spuck trained in dance at Stuttgart’s John Cranko School, where he graduated in As dancer he worked with Jan Lauwers’ Needcompany and Anne Teresa de Keersmaker’s ensemble ROSAS. He has choreographed for the Stuttgart Ballet since He made his artistic mark in the world of ballet with his narrative ballet Lulu, eine Monstertragödie. The series also included debut performances for the Aalto Theatre Essen, Die Kinder and Leonce und Lena, as well as The Return of Ulysses, commissioned by the Royal Ballet of Flanders and premiered in Antwerp in All these works have been widely acclaimed beyond their places of origin. In February , Christian Spuck was awarded the German Dance Prize “Zukunft” (Future) for choreography. Leonce und Lena was nominated for the German Theatre Award “Der Faust” in the category “best choreography” in His piece The Return of Ulysses was invited to the Edinburgh International Festival in Since he has successfully widened his artistic scope to include musical theatre and film. His opera staging of Falstaff at the Hessian State Theatre in Wiesbaden has received rave reviews.
As of the / season Christian Spuck will be the artistic director of Zurich Ballet.
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