Biography mike nichols
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Mike Nichols
American film and theatre director (–)
For other people named Mike Nichols, see Mike Nichols (disambiguation).
Mike Nichols | |
|---|---|
Nichols in | |
| Born | Igor Mikhail Peschkowsky ()November 6, Berlin, Germany |
| Died | November 19, () (aged&#;83) New York City, U.S. |
| Citizenship |
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| Alma&#;mater | University of Chicago |
| Occupations | |
| Years&#;active | – |
| Spouses | Patricia Scott &#; &#; (m.&#;; div.&#;)&#;Margot Callas &#; &#; (m.&#;; div.&#;)&#;Annabel Davis-Goff &#; &#; (m.&#;; div.&#;)&#; |
| Children | 3 |
| Relatives | Rachel Nichols (daughter-in-law) |
Mike Nichols (born Igor Mikhail Peschkowsky; November 6, – November 19, ) was an American film and theatre director and comedian. He worked across a range of genres and had an aptitude for getting the best out of actors regardless of their experience. He is one of 21 people to have won all four of the major American entertainment awards: Emmy, Grammy, Oscar, and Tony (EGOT). His other honors included three BAFTA Awards, the Lincoln Center Gala Tribute in , the National Medal of Arts in ,[1] the Kennedy Center Honors in and the AFI Life Achie
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The first Broadway play I ever saw was a matinee performance of David Rabe’s Streamers, a shattering tale of masculinity, racism, and homophobia set during the Vietnam War that was playing at Lincoln Center in the summer of I walked out of that theater stunned and not sure what to do next, so I walked around the city for what must have been hours, trying to absorb what I had just seen.
That play was directed by Mike Nichols, a fact I had forgotten until this week, when I was reading Mike Nichols: A Life (Penguin Press), Mark Harris’s fascinating, exhaustively researched, and utterly absorbing biography of the cultural polymath, someone who seemed to move effortlessly between the theater and the movies, conquering them both.
It turns out that Streamers came to Nichols at a critical point in both his career and his personal life. A star in his 20s, when he teamed up with Elaine May to create their now legendary comedy team; a wunderkind on Broadway, where he won Tony Awards for the first three plays he directed (Barefoot in the Park, Luv, and The Odd Couple); and then a Hollywood phenomenon, nominated for a directing Oscar for his debut effort (Who’s Afraid of Virginia Woolf?) and then winning that Oscar for his second (The Graduate), Nichols suddenly seemed to